



By Alex Nishimoto
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| If you’ve ever been to the VJCC on a Wednesday night, you’ve probably heard something that sounded a little bit like a banjo. What you heard was actually the sound of silk strings twanging in unison, a sound that could only be created in the Shamisen Club. The Shamisen is an ancient Japanese instrument with three strings. The Shamisen plays a crucial role in traditional Japanese music, with the capability to carry the melody or keep rhythm; it is a very versatile instrument. | ||
Mde. Kayo Nishimura |
The Shamisen club was formed by Mde. Kayo Nishimura twenty-five years ago and is still going strong with seven students and one teacher, Mde. Kayo Nishimura herself, who is internationally renowned for her expertise in Shamisen and Japanese folk music. Besides teaching her Nishimura-Ryu style, she is credited with the development of a notation strictly for Shamisen-players, which is accepted throughout the U.S. and in Japan. The club has gained much publicity over the years, being featured in the Rafu Shimpo, performing locally at the annual Cherry Blossom Festival and abroad in Venezuela. The club focuses on Shamisen but also incorporates all other elements of Japanese folk music, such as dancing, singing and Taiko. The club is also the only group in the Los Angeles area that is capable of playing the Jongara style of music (fast music). With so many areas of specialization, it’s quite an achievement to be the best in any one thing. If that weren’t enough to be proud of, the club is also the only group in the United States that is a registered member of the Zaidanhojin Nippon Minyo Kiyo-Kai, an organization devoted to teaching the traditional |
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In many ways the Shamisen Club reflects the goals of the Community Center itself: “To preserve, share and promote the Japanese and Japanese-American culture and heritage…” They are doing their part to preserve and promote the Japanese heritage both inside and out of the community. The Shamisen Club makes the statement that even if culture is threatened by progress, tradition can still endure if the effort is put forth to make it so.
by Alex Nishimoto
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Sharon Aratani has been involved with the VJCC since 1980. She started working with the VYC and the Boy Scouts then went on to become the VJCC corresponding secretary for two years. She is currently the VYC commissioner. |